RECALL SESSIONSPentavirate · Nashville · Royer × Undertone

Audio / Video Library  /  Recall Sessions: Pentavirate  /  Mix it yourself

Mix the Pentavirate Session

Anthony Da Costa and Russell Durham with a full band at Pentavirate Studios, Nashville, recorded by Bobby Holland. Thirty-two raw tracks, every ribbon straight into an Undertone Audio MPDI-4, no EQ anywhere. Pull up the mics, A/B the alternates, solo the room. Press play to load the stems (about 61 MB).

32 stems · press play to load
0:00.0of 3:13
Dashed strips are alternate mics on the same source — unmute to compare. Double-click a fader to zero it.

What you're hearing

Raw tracks straight off the converters: no EQ, no compression, no reverb. Your fader and pan moves are the whole mix. A safety limiter sits on the master so thirty-two tracks at once won't clip your speakers.

Comparisons worth making

Room SF-24 vs. SF-24V · Piano SF-2 vs. SF-24V · Overheads SF-12 Blumlein vs. R-12 spaced pair · Electric guitar R-121 vs. 57 · Bass amp (R-122V) vs. DI.

Keyboard

Space play/pause · Enter return to start · 0 reset mix

Finish it with Undertone Audio

The chain under every ribbon on this session

Every Royer on the floor fed an Undertone Audio MPDI-4 preamp, then Lynx converters and an API The Box 2 console. Nothing else touched the signal, which is why the stems are this clean to mix.

Download your mix as a WAV, drop it in your DAW, and finish it with the plugins Eric Valentine built from his own hardware: the MPEQ-1 for tone and the UnFairchild 670M II for glue. Both come with a 14-day free trial.

1
Royer ribbons
SF-2 · SF-12 · SF-24 · SF-24V · R-10 · R-12 · R-121 · R-122V
2
Undertone Audio MPDI-4
Four-channel mic preamp and DI, one channel per ribbon
3
Lynx converters → API The Box 2
Straight to disk at 48 kHz / 24-bit, no EQ, no compression
4
Your mix
Faders and pans here · MPEQ-1 and UnFairchild in your DAW

Every channel on the session

SourceMicrophonePreampNotes